«Жертөледе балалар гестапо ойнады»: садистік тақпақтарды өзектендірудің ойындық, психоаналитикалық және қарсы насихаттық механизмдерінен бастап, сыртта тұрып мазақтағанға дейін

Abstract

The research presents an analysis of the pragmatics, syntactics and semantics of sadistic quatrains and couplets that existed orally and transformed into internetlor. In addition to data on the literary origins of sick humor in Western European and Russian literature, the author of the article describes the doubts of folklorists about the author’s origin of verses and evidence of the fixation of oral rhyming texts among late Soviet students and schoolchildren. Along with information about the first printed publications and the difficulties of introducing a new folklore genre into scientific circulation, the article presents the reasons for the spread and transition of grotesque shocking rhymes into written and network existence, and also explains the secrets of their popularity and productivity in any, including modern conditions. Various scientific interpretations of the pragmatics and contexts of the existence of the genre for different age audiences presented in this article, allow us to explain the subject of ridicule and parody, thanks to which the verse functions and is reinvented in oral, written and online form in late Soviet and modern conditions.